Review of Canon 5d Mark Ii Vs Sony A7s
PW,
Catechism 5D Marking Two vs Sony A7
The Catechism EOS 5D Marker Two and the Sony Alpha A7 are two digital cameras that were officially introduced, respectively, in September 2008 and October 2013. The 5D Mark Ii is a DSLR, while the A7 is a mirrorless interchangeable lens camera. Both cameras are equipped with a total frame sensor. The Catechism has a resolution of 21 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the primary specs of the ii cameras as a starting point for the comparison.
Going beyond this snapshot of cadre features and characteristics, what are the differences between the Canon EOS 5D Marking 2 and the Sony Alpha A7? Which one should you lot buy? Read on to discover out how these two cameras compare with respect to their trunk size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Catechism 5D Marking Two and the Sony A7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view surface area (width x height) of the cameras is taken as an aggregate mensurate of their size, the Sony A7 is considerably smaller (31 percentage) than the Canon 5D Mark 2. Moreover, the A7 is substantially lighter (44 percent) than the 5D Mark II. In this context, it is worth noting that both cameras are splash and grit-proof and can, hence, be used in choppy weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they exercise not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, only DSLRs have a larger flange-to-focal aeroplane distance than mirrorless cameras, which imposes contraints on the optical technology process and by and large leads to bigger and heavier lenses. You can compare the optics available for the ii cameras in the Canon EF Lens Catalog (5D Marking II) and the Sony Fe Lens Catalog (A7). Mirrorless cameras, such every bit the A7, have moreover the advantage that they tin use many lenses from other systems via adapters, as they have a relatively brusque flange to focal aeroplane distance.
Apropos battery life, the 5D Mark Two gets 850 shots out of its LP-E6 battery, while the A7 tin can take 340 images on a single charge of its NP-FW50 power pack. The ability pack in the A7 can be charged via the USB port, which can be very convenient when travelling.
The table beneath summarizes the fundamental physical specs of the ii cameras alongside a broader set of comparators. In case you desire to display and compare some other camera duo, you can use the CAM-parator app to select your photographic camera combination among a big number of options.
Camera Model | Photographic camera Width | Camera Height | Camera Depth | Camera Weight | Battery Life | Conditions Sealing | Photographic camera Launch | Launch Toll (USD) | Street Price | ||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 5D Mark Ii | 152 mm | 114 mm | 75 mm | 850 g | 850 | Y | Sep 2008 | iii,499 | ebay.com | |
two. | Sony A7 | 127 mm | 94 mm | 48 mm | 474 g | 340 | Y | Oct 2013 | 1,699 | ebay.com | |
three. | Catechism 1D Ten Marker 2 | 158 mm | 168 mm | 83 mm | 1530 k | 1210 | Y | February 2016 | v,999 | ebay.com | |
4. | Canon 5D Mark IV | 151 mm | 116 mm | 76 mm | 890 m | 900 | Y | Aug 2016 | 3,499 | amazon.com | |
five. | Catechism 5DS | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | amazon.com | |
vi. | Canon 5DS R | 152 mm | 116 mm | 76 mm | 930 g | 700 | Y | Feb 2015 | 3,699 | amazon.com | |
7. | Catechism 5D Marker Three | 152 mm | 116 mm | 76 mm | 950 g | 950 | Y | Mar 2012 | 3,499 | ebay.com | |
8. | Canon 6D | 145 mm | 111 mm | 71 mm | 770 g | 1090 | Y | Sep 2012 | two,099 | ebay.com | |
ix. | Canon 1D X | 158 mm | 168 mm | 83 mm | 1551 1000 | 1120 | Y | October 2011 | 6,799 | ebay.com | |
10. | Canon 7D | 148 mm | 111 mm | 74 mm | 860 g | 800 | Y | Sep 2009 | i,699 | ebay.com | |
xi. | Canon 1Ds Marker 3 | 150 mm | 160 mm | 80 mm | 1385 g | 1800 | Y | Aug 2007 | 7,999 | ebay.com | |
12. | Canon 5D | 152 mm | 113 mm | 75 mm | 895 chiliad | 400 | Y | Aug 2005 | 3,299 | ebay.com | |
13. | Sony A7 II | 127 mm | 96 mm | 60 mm | 599 g | 350 | Y | November 2014 | 1,999 | ebay.com | |
fourteen. | Sony A7S | 127 mm | 94 mm | 48 mm | 489 g | 380 | Y | April 2014 | 2,499 | ebay.com | |
15. | Sony A7R | 127 mm | 94 mm | 48 mm | 465 g | 340 | Y | Oct 2013 | two,299 | ebay.com | |
16. | Sony RX1R | 113 mm | 65 mm | lxx mm | 482 g | 270 | n | Jun 2013 | 2,799 | ebay.com | |
17. | Sony RX1 | 113 mm | 65 mm | 70 mm | 482 g | 270 | n | Sep 2012 | ii,799 | ebay.com | |
Note: Measurements and pricing practise non include easily detachable parts, such as addition or interchangeable lenses or optional viewfinders. | |||||||||||
The cost is, of course, an important cistron in any camera determination. The retail prices at the time of the photographic camera's release place the model in the market relative to other models in the producer'due south line-upward and the competition. The A7 was launched at a markedly lower toll (by 51 percent) than the 5D Mark Ii, which puts it into a unlike market place segment. Ordinarily, street prices remain initially close to the MSRP, simply subsequently a couple of months, the first discounts appear. Afterward in the production wheel and, in particular, when the replacement model is about to announced, further discounting and stock clearance sales frequently push the camera price considerably downwardly.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offering better low-low-cal sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a big sensor photographic camera will give the photographer more control over depth-of-field in the prototype and, thus, the ability to better isolate a bailiwick from the background. On the downside, larger sensors tend to be associated with larger, more expensive photographic camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor expanse in the A7 is 1 per centum smaller. They however have the aforementioned format factor of 1.0. Both cameras have a native attribute ratio (sensor width to sensor height) of three:2.
Despite having a slightly smaller sensor, the A7 offers a college resolution of 24 megapixels, compared with 21 MP of the 5D Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.97μm versus half dozen.41μm for the 5D Mark Two). However, it should be noted that the A7 is much more than contempo (by 5 years) than the 5D Marking Ii, and its sensor volition accept benefitted from technological advances during this fourth dimension that make it possible to gather light more efficiently.
The resolution advantage of the Sony A7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 for good quality output (200 dots per inch) amounts to 30 x xx inches or 76.2 10 fifty.8 cm, for very practiced quality (250 dpi) 24 10 16 inches or 61 10 40.6 cm, and for first-class quality (300 dpi) 20 x xiii.3 inches or l.8 10 33.9 cm. The corresponding values for the Canon 5D Mark II are 28.1 x 18.vii inches or 71.3 x 47.5 cm for good quality, 22.5 x fifteen inches or 57.i 10 38 cm for very good quality, and xviii.7 x 12.5 inches or 47.five 10 31.vii cm for excellent quality prints.
The A7 has on-sensor phase detect pixels, which results in fast and reliable autofocus conquering even during alive view operation.
The Canon EOS 5D Mark 2 has a native sensitivity range from ISO 100 to ISO 6400, which tin exist extended to ISO 50-25600. The corresponding ISO settings for the Sony Blastoff A7 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
For many cameras, information on sensor operation has been reported by DXO Marking. This service determines an overall sensor rating, as well every bit sub-scores for low-lite sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and colour depth ("DXO Portrait"). Of the 2 cameras nether consideration, the A7 offers substantially improve image quality than the 5D Mark Ii (overall score 11 points higher). The advantage is based on 1.1 bits higher color depth, two.3 EV in additional dynamic range, and 0.three stops in additional low light sensitivity. The tabular array beneath summarizes the physical sensor characteristics and sensor quality findings and compares them beyond a set of similar cameras.
Camera Model | Sensor Grade | Resolution (MP) | Horiz. Pixels | Vert. Pixels | Video Format | DXO Portrait | DXO Mural | DXO Sports | DXO Overall | ||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 5D Mark II | Full Frame | 21.0 | 5616 | 3744 | 1080/30p | 23.7 | 11.9 | 1815 | 79 | |
ii. | Sony A7 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.viii | 14.2 | 2248 | 90 | |
iii. | Canon 1D X Mark II | Full Frame | 20.0 | 5472 | 3648 | 4K/60p | 24.1 | 13.5 | 3207 | 88 | |
4. | Canon 5D Mark 4 | Full Frame | 30.1 | 6720 | 4480 | 4K/30p | 24.eight | 13.6 | 2995 | 91 | |
5. | Canon 5DS | Total Frame | l.3 | 8688 | 5792 | 1080/30p | 24.7 | 12.four | 2381 | 87 | |
6. | Canon 5DS R | Full Frame | 50.3 | 8688 | 5792 | 1080/30p | 24.6 | 12.iv | 2308 | 86 | |
7. | Canon 5D Mark 3 | Full Frame | 22.i | 5760 | 3840 | 1080/30p | 24.0 | xi.seven | 2293 | 81 | |
8. | Canon 6D | Full Frame | 20.0 | 5472 | 3648 | 1080/30p | 23.8 | 12.1 | 2340 | 82 | |
9. | Catechism 1D 10 | Full Frame | 17.nine | 5184 | 3456 | 1080/30p | 23.eight | 11.8 | 2786 | 82 | |
x. | Canon 7D | APS-C | 17.nine | 5184 | 3456 | 1080/30p | 22.0 | 11.vii | 854 | 66 | |
11. | Catechism 1Ds Mark III | Full Frame | 21.0 | 5616 | 3744 | none | 24.0 | 12.0 | 1663 | fourscore | |
12. | Canon 5D | Full Frame | 12.vii | 4368 | 2912 | none | 22.9 | 11.1 | 1368 | 71 | |
13. | Sony A7 II | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.9 | 13.half-dozen | 2449 | ninety | |
14. | Sony A7S | Total Frame | 12.0 | 4240 | 2832 | 1080/60p | 23.ix | 13.two | 3702 | 87 | |
15. | Sony A7R | Total Frame | 36.2 | 7360 | 4912 | 1080/60p | 25.six | xiv.1 | 2746 | 95 | |
16. | Sony RX1R | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 25.0 | 13.vi | 2537 | 91 | |
17. | Sony RX1 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 25.1 | 14.3 | 2534 | 93 |
Many modern cameras cannot simply take still pictures, but as well record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, simply the A7 provides a faster frame rate than the 5D Marking Two. It can shoot movie footage at 1080/60p, while the Catechism is limited to 1080/30p.
Feature comparing
Autonomously from body and sensor, cameras can and practise differ across a diverseness of features. For instance, the A7 has an electronic viewfinder (2400k dots), while the 5D Mark 2 has an optical ane. Both systems have their advantages, with the electronic viewfinder making it possible to projection supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-complimentary viewing and a very clear framing epitome. The viewfinders of both cameras offer the same magnification (0.71x), but the one in the A7 has a wider field of view (100%) than the finder in the 5D Marker II (98%), so that a larger proportion of the captured paradigm is visible. The following table reports on some other primal feature differences and similarities of the Catechism 5D Mark Two, the Sony A7, and comparable cameras.
Camera Model | Viewfinder (Blazon or 000 dots) | Control Panel (aye/no) | LCD Specifications (inch/000 dots) | LCD Attach- ment | Touch on Screen (yes/no) | Max Shutter Speed * | Max Shutter Flaps * | Congenital-in Flash (yes/no) | Built-in Image Stab | ||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 5D Mark II | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | iii.9/southward | northward | n | |
2. | Sony A7 | 2400 | northward | iii.0 / 1230 | tilting | northward | 1/8000s | 5.0/s | n | north | |
3. | Canon 1D X Marking II | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 16.0/s | n | north | |
4. | Canon 5D Mark 4 | optical | Y | iii.2 / 1620 | fixed | Y | ane/8000s | vii.0/due south | n | north | |
5. | Canon 5DS | optical | Y | iii.2 / 1040 | fixed | northward | 1/8000s | 5.0/southward | northward | north | |
6. | Canon 5DS R | optical | Y | iii.2 / 1040 | stock-still | n | 1/8000s | five.0/s | n | due north | |
7. | Canon 5D Marker III | optical | Y | iii.2 / 1040 | stock-still | n | ane/8000s | 6.0/southward | n | n | |
8. | Catechism 6D | optical | Y | 3.0 / 1040 | fixed | n | 1/4000s | 4.5/south | n | n | |
9. | Canon 1D X | optical | Y | 3.2 / 1040 | stock-still | north | one/8000s | 14.0/south | n | due north | |
10. | Canon 7D | optical | Y | 3.0 / 920 | stock-still | due north | 1/8000s | 8.0/south | Y | due north | |
xi. | Canon 1Ds Mark Three | optical | Y | three.0 / 230 | fixed | n | ane/8000s | five.0/due south | n | n | |
12. | Canon 5D | optical | Y | two.5 / 230 | fixed | n | 1/8000s | 3.0/southward | northward | north | |
13. | Sony A7 II | 2400 | northward | three.0 / 1230 | tilting | northward | i/8000s | 5.0/due south | n | Y | |
14. | Sony A7S | 2400 | n | 3.0 / 921 | tilting | northward | one/8000s | 5.0/due south | north | n | |
15. | Sony A7R | 2400 | n | iii.0 / 1230 | tilting | north | i/8000s | 4.0/s | n | n | |
xvi. | Sony RX1R | optional | n | 3.0 / 1229 | fixed | n | 1/4000s | five.0/south | Y | northward | |
17. | Sony RX1 | optional | due north | 3.0 / 1229 | fixed | northward | 1/4000s | five.0/south | Y | n | |
Notes: *) Information refers to the mechanical shutter, unless the camera just has an electronic one. |
Ane feature that is nowadays on the 5D Marker II, but is missing on the A7 is a acme-level LCD. While beingness, of course, smaller than the rear screen, the control console conveys some of the essential shooting information and tin be convenient for quick and piece of cake settings verification.
The 5D Mark Ii writes its imaging information to Compact Flash cards, while the A7 uses SDXC or Retentiveness Stick PRO Duo cards.
Connectivity comparison
For some imaging applications, the extent to which a photographic camera can communicate with its environment can be an important aspect in the camera determination process. The table below provides an overview of the connectivity of the Catechism EOS 5D Marker Ii and Sony Alpha A7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory command and data transfer.
Camera Model | Hotshoe Port | Internal Mic / Speaker | Microphone Port | Headphone Port | HDMI Port | USB Port | WiFi Support | NFC Support | Bluetooth Support | ||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 5D Mark Two | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
ii. | Sony A7 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
3. | Catechism 1D X Mark II | Y | mono / mono | Y | Y | mini | iii.0 | - | - | - | |
4. | Catechism 5D Marking IV | Y | mono / mono | Y | Y | mini | 3.0 | Y | Y | - | |
five. | Canon 5DS | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
6. | Canon 5DS R | Y | mono / mono | Y | - | mini | 3.0 | - | - | - | |
seven. | Canon 5D Mark Three | Y | mono / mono | Y | Y | mini | two.0 | - | - | - | |
8. | Canon 6D | Y | mono / mono | Y | - | mini | 2.0 | Y | - | - | |
9. | Canon 1D X | Y | mono /- | Y | - | mini | two.0 | - | - | - | |
10. | Canon 7D | Y | mono /- | Y | - | mini | 2.0 | - | - | - | |
11. | Catechism 1Ds Mark III | Y | mono /- | - | - | - | two.0 | - | - | - | |
12. | Canon 5D | Y | - /- | - | - | - | 2.0 | - | - | - | |
13. | Sony A7 2 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
fourteen. | Sony A7S | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
fifteen. | Sony A7R | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
xvi. | Sony RX1R | Y | stereo / mono | Y | - | mini | two.0 | - | - | - | |
17. | Sony RX1 | Y | stereo / mono | Y | - | mini | ii.0 | - | - | - |
It is notable that the A7 offers wifi support, which can be a very convenient means to transfer image data to an off-photographic camera location. In dissimilarity, the 5D Mark II does not provide wifi capability.
Studio photographers volition appreciate that the Canon 5D Marking II (unlike the A7) features a PC Sync socket, so that professional person strobe lights can be controlled past the photographic camera.
Both the 5D Mark II and the A7 accept been discontinued, but can regularly be found used on ebay. The 5D Mark II was replaced by the Canon 5D Marker III, while the A7 was followed past the Sony A7 2. Further information on the 2 cameras (e.grand. user guides, manuals), every bit well every bit related accessories, can be found on the official Canon and Sony websites.
Review summary
Then how do things add upwards? Which of the two cameras – the Canon 5D Marking II or the Sony A7 – has the upper hand? Is ane clearly meliorate than the other? The listing beneath highlights the relative strengths of the two models.
Reasons to adopt the Canon EOS 5D Mark Ii:
- Brighter framing: Features an optical viewfinder for clear, lag-free limerick.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can accept more shots (850 versus 340) on a single bombardment charge.
- Better studio light control: Has a PC Sync socket to connect to professional person strobe lights.
- More heavily discounted: Has been available for much longer (launched in September 2008).
Arguments in favor of the Sony Blastoff A7:
- More than detail: Has more megapixels (24 vs 21MP), which boosts linear resolution past 7%.
- Amend image quality: Scores substantially higher (11 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more than natural colors (1.1 bits more than color depth).
- More dynamic range: Captures a broader range of light and dark details (2.3 EV of extra DR).
- Better video: Provides higher picture show framerates (1080/60p versus 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Ameliorate audio control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- More detailed LCD: Has a college resolution rear screen (1230k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-bending shots in landscape orientation.
- Faster outburst: Shoots at higher frequency (five vs iii.nine flaps/sec) to capture the decisive moment.
- More compact: Is smaller (127x94mm vs 152x114mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 376g or 44 per centum) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- More than legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the spider web.
- Easier device pairing: Supports NFC for fast wireless prototype transfer over short distances.
- More affordable: Was introduced into a lower priced category (51 pct cheaper at launch).
- More modernistic: Reflects 5 years of technical progress since the 5D Mark II launch.
If the count of relative strengths (bullet points higher up) is taken as a measure out, the A7 is the clear winner of the contest (21 : five points). Notwithstanding, the relevance of individual strengths volition vary across photographers, so that yous might want to utilize your own weighing scheme to the summary points when reflecting and deciding on a new photographic camera. A professional wildlife photographer will view the differences betwixt cameras in a way that diverges from the perspective of a family unit photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is oftentimes a very personal one.
5D Mark II05 : 21 A7
How nigh other alternatives? Do the specifications of the Canon 5D Mark Ii and the Sony A7 place the cameras amongst the pinnacle in their course? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Photographic camera listings whether the 2 cameras rank among the cream of the crop.
In whatsoever example, while the comparing of technical specifications tin provide a useful overview of the capabilities of different cameras, it says little about, for instance, the shooting experience and imaging performance of the 5D Marker II and the A7 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful fashion, just such feedback is on many occasions incomplete, inconsistent, and unreliable.
Good reviews
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular photographic camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers concord in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier bespeak that a camera decision is often a very personal choice.
Photographic camera Model | AP score | CL score | DCW score | DPR score | EPZ score | PB score | Camera Launch | Launch Cost (USD) | Street Price | ||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Catechism 5D Mark II | iv/5 | 91/100 | .. | 79/100 | 4/5 | .. | Sep 2008 | 3,499 | ebay.com | |
2. | Sony A7 | five/v | + + | .. | 80/100 | 5/5 | 5/5 | Oct 2013 | i,699 | ebay.com | |
3. | Canon 1D Ten Mark Two | .. | .. | 4.5/5 | 89/100 | 4.5/5 | iv.5/v | February 2016 | 5,999 | ebay.com | |
iv. | Canon 5D Marker IV | iv.5/v | + + | four/5 | 87/100 | four.5/5 | 4.v/v | Aug 2016 | 3,499 | amazon.com | |
five. | Canon 5DS | .. | + | .. | 83/100 | iv.5/5 | four.five/5 | February 2015 | 3,699 | amazon.com | |
6. | Canon 5DS R | five/five | + | .. | 83/100 | v/5 | iv.5/five | February 2015 | 3,699 | amazon.com | |
7. | Canon 5D Mark III | .. | + + | .. | 82/100 | 4.v/5 | four.5/5 | Mar 2012 | 3,499 | ebay.com | |
8. | Canon 6D | 5/five | + + | .. | 83/100 | 4.5/5 | four.5/5 | Sep 2012 | 2,099 | ebay.com | |
9. | Catechism 1D X | 5/5 | .. | .. | .. | four.five/v | 4.five/five | Oct 2011 | vi,799 | ebay.com | |
ten. | Catechism 7D | 5/5 | + + | .. | 84/100 | 4.five/5 | 4.5/5 | Sep 2009 | 1,699 | ebay.com | |
11. | Canon 1Ds Mark Three | .. | .. | .. | + + | 4.v/five | .. | Aug 2007 | seven,999 | ebay.com | |
12. | Canon 5D | .. | 88/100 | .. | + + | o | .. | Aug 2005 | 3,299 | ebay.com | |
13. | Sony A7 II | 5/v | + | iv/5 | 82/100 | 4.5/5 | 5/v | Nov 2014 | 1,999 | ebay.com | |
14. | Sony A7S | 4/v | .. | .. | 86/100 | iv.5/5 | 5/v | Apr 2014 | 2,499 | ebay.com | |
15. | Sony A7R | 5/v | + + | .. | 82/100 | 4.5/5 | v/5 | October 2013 | 2,299 | ebay.com | |
sixteen. | Sony RX1R | 5/five | .. | .. | .. | iv/v | 4.5/5 | Jun 2013 | 2,799 | ebay.com | |
17. | Sony RX1 | 5/5 | .. | .. | 79/100 | 4/5 | 4.5/5 | Sep 2012 | 2,799 | ebay.com | |
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The higher up review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods accept lilliputian significant. As well, kindly note that some of the listed sites take over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision procedure? If y'all would like to see a different side-past-side photographic camera review, just make a corresponding selection in the search boxes beneath. Equally an alternative, you can also directly spring to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D Marker Two vs Canon 5DS
- Canon 5D Marker II vs Canon T2i
- Canon 5D Mark 2 vs Leica M10-P
- Canon 5D Mark Two vs Leica X Vario
- Canon 5D Mark II vs Olympus E-600
- Canon 5D Mark II vs Sony A7S Ii
- Canon XC10 vs Sony A7
- Fujifilm GFX 50R vs Sony A7
- Olympus E-P7 vs Sony A7
- Panasonic GF3 vs Sony A7
- Panasonic TS7 vs Sony A7
- Sony A7 vs Sony A850
Specifications: Canon 5D Mark Two vs Sony A7
Beneath is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Photographic camera Model | Catechism 5D Mark II | Sony A7 |
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Catechism EF mount lenses | Sony E mountain lenses |
Launch Date | September 2008 | October 2013 |
Launch Cost | USD three,499 | USD 1,699 |
Sensor Specs | Canon 5D Marker Two | Sony A7 |
---|---|---|
Sensor Engineering science | CMOS | CMOS |
Sensor Format | Full Frame Sensor | Total Frame Sensor |
Sensor Size | 36.0 ten 24.0 mm | 35.eight x 23.9 mm |
Sensor Area | 864 mmtwo | 855.62 mm2 |
Sensor Diagonal | 43.three mm | 43 mm |
Crop Factor | 1.0x | 1.0x |
Sensor Resolution | 21 Megapixels | 24 Megapixels |
Paradigm Resolution | 5616 x 3744 pixels | 6000 10 4000 pixels |
Pixel Pitch | 6.41 μm | 5.97 μm |
Pixel Density | 2.43 MP/cm2 | ii.80 MP/cm2 |
Moiré command | Anti-Alias filter | Anti-Allonym filter |
Movie Adequacy | 1080/30p Video | 1080/60p Video |
ISO Setting | 100 - half-dozen,400 ISO | 100 - 25,600 ISO |
ISO Boost | 50 - 25,600 ISO | 50 - 51,200 ISO |
Epitome Processor | DIGIC four | BIONZ 10 |
DXO Sensor Quality (score) | 79 | 90 |
DXO Color Depth (bits) | 23.vii | 24.eight |
DXO Dynamic Range (EV) | 11.9 | 14.2 |
DXO Depression Light (ISO) | 1815 | 2248 |
Screen Specs | Canon 5D Mark II | Sony A7 |
Viewfinder Blazon | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 98% | 100% |
Viewfinder Magnification | 0.71x | 0.71x |
Viewfinder Resolution | 2400k dots | |
Peak-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | three.0inch | iii.0inch |
LCD Resolution | 920k dots | 1230k dots |
LCD Attachment | Fixed screen | Tilting screen |
Shooting Specs | Canon 5D Mark II | Sony A7 |
Focus Organisation | Phase-detect AF | On-Sensor Phase-find |
Transmission Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | i/8000s | 1/8000s |
Continuous Shooting | 3.9 shutter flaps/s | 5 shutter flaps/s |
Fill Wink | no On-Board Wink | no On-Board Flash |
Storage Medium | CF cards | MS or SDXC cards |
Second Storage Option | Single card slot | Single bill of fare slot |
Connectivity Specs | Canon 5D Mark 2 | Sony A7 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Near-Field Advice | no NFC | NFC built-in |
Body Specs | Canon 5D Mark II | Sony A7 |
Ecology Sealing | Weathersealed trunk | Weathersealed trunk |
Battery Type | LP-E6 | NP-FW50 |
Bombardment Life (CIPA) | 850 shots per charge | 340 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Torso Dimensions | 152 10 114 x 75 mm (6.0 10 4.5 ten 3.0 in) | 127 x 94 10 48 mm (5.0 x three.seven x ane.nine in) |
Camera Weight | 850 g (30.0 oz) | 474 grand (16.7 oz) |
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Source: https://www.apotelyt.com/compare-camera/canon-5d-mark-ii-vs-sony-a7
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